"Chinese people should consume Chinese products!" This slogan was the catchphrase of a movement in early twentieth-century China that sought to link consumption and nationalism by instilling a concept of China as a modern "nation" with its own "national products." From fashions in clothing to food additives, from museums to department stores, from product fairs to advertising, ...(展开全部)

“Chinese people should consume Chinese products!” This slogan was the catchphrase of a movement in early twentieth-century China that sought to link consumption and nationalism by instilling a concept of China as a modern “nation” with its own “national products.” From fashions in clothing to food additives, from museums to department stores, from product fairs to advertising, ...(展开全部)

"Chinese people should consume Chinese products!" This slogan was the catchphrase of a movement in early twentieth-century China that sought to link consumption and nationalism by instilling a concept of China as a modern "nation" with its own "national products." From fashions in clothing to food additives, from museums to department stores, from product fairs to advertising, ...(展开全部)

Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with another captivating portrait through the experience of things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, recei...(展开全部)

Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with another captivating portrait through the experience of things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, recei...(展开全部)

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis....(展开全部)

迈克尔·夏邦（Michael Chabon，1963年—），当代美国作家，被誉为“塞林格接班人”。1963年生于华盛顿特区犹太裔家庭，先后就读于卡内基梅隆大学和匹兹堡大学，并在加州大学欧文分校获得创意写作硕士学位。夏邦集普利策小说奖得主，星云、雨果、轨迹、侧面四项科幻大奖得主，好莱坞编剧于一身，曾任电影《蜘蛛侠2》与《异星战场》的编剧。 首部长篇小说《匹兹堡的秘密》（The Mysteries of Pittsburgh）创下当时新人小说作品预付版税纪录的新高，1988年出版后，在《纽约时报》排行榜上连续停留十二周。1992年，夏邦出版小说集《大千世界》（A Model World and Other Stories），收录了发表于《纽约客》等刊物上的短篇作品。随后《奇迹小子》（Wonder Boys）的出版，确立了夏邦在美国文坛的地位。2000年出...(展开全部)

GENTLEMEN OF THE ROAD is set in the Kingdom of Arran, in the Caucasus Mountains, between the Black Sea and the Caspian Sea, A.D. 950. It tells the tale of two wandering adventurers and unlikely soulmates, variously plying their trades as swords for hire, horse thieves and con artists - until fortune entangles them in the myriad schemes and battles that follow a bloody coup in t...(展开全部)